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Spartacus and Crixus face an undefeated giant gladiator. If they don't overcome their hatred for one another and work as a team, he will kill them both.

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original title: Shadow Games

genge: Action,Adventure,Biography,Drama,History,Romance



duration: 55min



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Spartacus and Crixus face an undefeated giant gladiator. If they don't overcome their hatred for one another and work as a team, he will kill them both. In an effort to bring rain to Capua, the Primus (a prestigious competition for the greatest of gladiators) is announced and Batiatus enters his champion Crixus and Spartacus against Solonius's Theokoles, an indestructible 10 foot tall god of the arena. Can Oenomaus train them sufficiently enough to win their battle ? I said in my last review that I was glad the series was finally going somewhere, and this episode does not disappoint.

Capua is in drought and the town is going mad, so the head honcho decides to hold a games to appease the gods.

Crixus and surprisingly Spartacus are chosen to fight the primus provided by Batiatus' arch enemy Selonius.

The shadow of death is a legend never fallen, never beaten, and only one man has ever lived following a match, Doctore.

Paired together you can feel the intensity between Crixus and Spartacus, and of course they cannot fight together.

This is the first time we see Crixus as doubting and even scared, Spartacus as is his usual self doesn't get it.

Meanwhile Lucretia is examined by the High priestess of Juno's temple about childbearing. She is given a potion and told she must copulate within the hour. Batiatus being away she calls on Crixus, but he advises that sex makes him week for the tournament so she leaves him aware that her chance has disappeared.

Batiatus' men have tracked down a slave dealer who confesses the name of the person who hired him to kill Batiatus. We later see Batiatus in a house surrounded by dead bodies of the family that he has had killed. The merchant to whom he owns a debt confesses the it was Selonius that wanted Batiatus killed. The Syrian kills him and is then ordered to do something far worse.

Back at the games it appears that Crixus and Spartacus have won easily as a team, however everything is not quite so simple.........

The episode deals with love, loss, honour, and an understanding of Crixus and why he hates Spartacus. It also deals with the Roman practice of buying debts and plotting.

It is probably the first time I felt some real character development in the series save the last episode, and it nicely changes your view of some of the character.

The vapid legatus' wife however is just the same as she has always been :) What's in the shadow of the giant ? It could have been a Saiyan if Shadow Games was a Dragon Ball Kai episode. Training, humiliation and redemption. It seems Spartacles was ready for his first Labour. Slay the beast. Win the crowd. Make Batiatus rich. Earn your freedom. Get Sura. But things aren't that simple in a wasteland where anyone would sell its own child for a drop of water. Teaming up with Crixus instantly sounded like madness. However arcs developed in the past episodes came back like boomerangs to nourish the story. Until the very end I didn't know what would happen. Indeed like puppet masters the writers played with our mind. How can you predict anything when you can't even trust a writer ? That's how much this show is corrupted.

Seriously even if the finale fight wasn't as awesome as I hoped it would be, it was still good entertainment. The events were twisted and the ambiance surreal enough to make me believe in miracles. But like in alchemy, life has its way of balancing itself. Is it the beginning of the end ? As for the usual arcs I think they tried to juggle with far too many. Batiatus revenge. Lucretia and Ilithyia's friendship with benefits. Crixus in love. I think they should have focused on the relationship between Spartacus and Crixus. So the idea had potential but I didn't like how it was executed. It doesn't mean it was disappointing, just different from what I had in mind.

To sum things up my opinion is mixed. Was it surprising ? Definitely. Is it a must see ? Of course ! But it'll remain in the shadow of past episodes. However I have to admit that the end was ambivalent enough to make me uncomfortable. It's quite smart because I really don't expect naive happy endings from the show.


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Frozen in the ice for decades, Captain America is freed to battle against arch-criminal, The Red Skull.

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During World War II, a brave, patriotic American Soldier undergoes experiments to become a new supersoldier, "Captain America." Racing to Germany to sabotage the rockets of Nazi baddie "Red Skull", Captain America winds up frozen until the 1990s. He reawakens to find that the Red Skull has changed identities and is now planning to kidnap the President of the United States. Frozen in the ice for decades, Captain America is freed to battle against arch-criminal, The Red Skull. After two made for TV movies that failed to launch a TV series back in 1979, Captain America finally made his motion picture debut in 1990, but thank God not to American movie screens. Only in Europe!

I have this movie in my video collection just for the fact I love comic book superheroes and their movies and TV shows. Yet I despised this movie for numerous reasons. I will not tell you all of them, but the main reasons were:

1. Red Skull was not German, but Italian! (He's working for Mussolini during World War 2, not Hitler)

2. Almost all the good guys, including Cap's old lady love and the reporter played by Ned Beatty, gets killed off sometime in the film

3.Red Skull is responsible all the way for such events as the JFK assassination, among others

How stupid is that? Very stupid! Kids will get scared out of their pants looking at The Red Skull just like I was so sickened at Red Skull's annoying comment to Cap calling him "brother". Praise God Captain America managed to shut Red Skull's mouth after that and started to kick Red skull's worthless ass.

Oh, how did Red Skull manage to get such cheap slut daughters in this movie to do his dirty work? There is no mention of him anywhere during the movie of him being married at some time. He must have been playing around with a lot of women before Captain America came back to life.

Jack Kirby, god rest his soul, hated this movie as well. And I don't blame him. For Jack Kirby created Captain America and other heroes, too!

If they ever make a new "Captain America" movie in the future, I pray that they do it better than this piece of crap. I've never been so disgusted in my life.

Thumbs Way Down! "Stop calling me your brother!" Hey, stop calling this a movie! I could have made a better film with a VHS camcorder and the cast of an elementary school Christmas program! Anyway, here's my big question: Why wear a mask? Everyone knows his secret identity, and if they don't, he takes it off at the end anyway! Just leave the mask at home! The movie was directed by Albert Pyun which apparently seemed to have similar consequences as his most famous movie Cyborg. After differences during the production process, the studio altered the movie quite heavily and the final cut didn't have much in common with Pyun's original version. Furthermore, the scheduled theatrical release was postponed several until the movie was released direct-to video in 1992.

The Director's Cut

...is available on disc 2 of the 3-Disc-Set from Pyun's homepage and it's approx. 14 minutes longer than the regular US-Version. Unfortunately, the end result isn't as spectacular as expected due to its history. There's just a longer block of scenes in the middle of the movie which is a nice charakter development. The new footage proves the stronger focus of Captain America's inner conflict. Besides new footage, some footage has simply been recycled as flashback. As already mentioned, it's rather unspectacular and it doesn't look very professional either.

The Commentary Version

AS mentioned before, the Director's Cut (differing from the Original Version) is only available on Pyun's homepage. The customer always receives a 3-Disc-Set whereas the 3rd disc contains a newer production of Pyun's company. Technicalla, the first 2 discs BOTH contain Pyun's favorite version (verifiable due to the alternate beginning and the flashback at the end) but there's still a difference of several minutes which is confusing. But don't worry, the following comparison will shed some light on it.

Disc 1 contains the unedited workprint with a director's commentary track instead of the regular audio track (there's a black screen for 4 minutes at the beginning which contains nothing but Pyun's voice). In this commentary, Pyun mentions his plans to edit this version for a future release on Blu-ray.


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The Dark Knight battles crime in Gotham City with occasional help from Robin and Batgirl.

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tags: Out Of The Shadows.


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This animated series conveys the dark mood of the original "Batman" comic books. Unlike the light action "Batman" show of the 1960s, Gotham City's Caped Crusader, Bruce Wayne, is sometimes moody. And Robin's alter ego, Dick Grayson, has a more-mature personality than in the original series. Heir to the Wayne family fortune, Bruce Wayne lives by day as a seemingly lavish playboy millionaire socialite, but by night assumes the role of his crime-fighting alter-ego: the caped crusader known as Batman. Throughout the Animated Series, Batman receives help from sidekicks Robin and Batgirl, as well as Police Commissioner Gordon, in protecting the streets of Gotham City from a large rogue's gallery of criminals, lunatics and nemeses. The first Batman animated series of the 90s was simple and direct: a TV show not just for kids looking for a good fix with their cereal watching Saturday morning toons, but for fans of the comic books, die hard ones to a fault. Every villain one could want, or maybe even forget to think of, is featured- Joker, Two-Face, Riddler, Mr. Freeze, Penguin, Catwoman, Scarecrow, Harley Quinn, et all- and for much of the show with really captivating single stories &/or continuing story-lines. And for one who still is in love with the original Tim Burton films, Joker especially is given great showcasing in his episodes (i.e. Christmas with the Joker, the Last Laugh), and always with a sense of true gallows humor. But in every episode, as perils come and go and characters get added on like Robin or Vicki Vale, there's depth to what are essentially loose-to-tight translations of what came in the comics.

What's impressive too is that, as an adult now, I still respect and enjoy the episodes from the original series very much, maybe even on a slightly differed planed than when I was younger and it was only a casual interest. There's a pulp quality to the show that is brought to a richer point by the artistic nature of it- it's not only about bringing in the cash with the franchise, but expanding and fleshing out the graphic nature of the comics. While we don't get too much that would probably put off the little ones (only once or twice did a Frank Miller comic get adapted for the series), there's enough to keep the older fans captivated, the ones who were around to see the Adam West Batman series (probabbly the king of campy 60s TV) and wonder if there's more than just the movies or the new & improved. In fact, it's the kind of series that will likely appeal, if only in small spurts or on the occasional viewing, to those who aren't big Batman fans.

As for me, the entire series on DVD will be the only way to go, to catch up on all the good times with the Dark Knight. Batman: The Animated Series of one of the greatest animated series of all time, and definitely my favorite iteration of Batman. The show has fantastic art, music, acting, and an extremely dark atmosphere that fits the show perfectly. Something I noticed when re-watching this show as a young adult is that it's incredibly dark especially for a children's show. Many mature themes like loss, death, and despair are frequent from episode to episode. I can't recommend this show to a very young audience, but everyone else should definitely see this, especially fans of the Batman series. Bruce Wayne has been the Batman for approximately ten years when this series begins (as revealed in the spin-off movie, Batman: Mask of the Phantasm (1993)), putting him in his early to mid-30s. As a comic-book character, Batman's first appearance was in DETECTIVE COMICS #27 (May, 1939). In the book Batman: Animated (written with Chip Kidd) Paul Dini writes: "In rethinking Robin for the animated series, it was our intention that Dick Grayson would be older than the traditional depictions of his character, about twenty, and operating on his own as a solo crime fighter." He has apparently been Batman's partner for 9 years (almost half of his life). Gotham City is a fictional U.S. port city located on the north-eastern Atlantic coast. It was originally a stand-in for New York City, but has also resembled other crime-ridden urban centers such as Chicago and Detroit. Some sources, including Mayfair Games' authorized (but now out-of-print) Atlas of the DC Universe, have placed Gotham City in the state of New Jersey. Batman: The Animated Series shows Gotham City in New York State on the western tip of Long Island.

Christopher Nolan's (director for Batman Begins and The Dark Knight) Gotham City is located in the middle of the estuary of the Liberty River, where it empties into the Atlantic Ocean. The river separates most of Gotham from the mainland. The River Merchant divides Uptown from Midtown, while Midtown is separated from Downtown by the Gotham River. The Narrows is a small island in the Gotham River. A creek divides the district of South Hinkley from the rest of Gotham City. Gotham International Airport is in Pettsburg, to the north of the Liberty River estuary.

The current DC Universe version of Gotham City is separated from the mainland by the Gotham River, bridged by a series of bridges and tunnels. The east and south sides of Gotham face the Atlantic Ocean. The city is further divided by the Sprang River (named for Dick Sprang) on the northern end and the Finger River (for Bill Finger) to the south. Tiny Blackgate Isle to the south-east is home to Blackgate Maximum Security Penitentiary. (Blackgate is replaced by Stonegate Penitentiary in the animated series "Batman" (1992) and its spin-offs.) The Elizabeth Arkham Asylum for the Criminally Insane is first mentioned (as Arkham Hospital) in "The Threat of the Two-Headed Coin!" in BATMAN #258 (October 1974) by Dennis O'Neil. The first specific reference to "Arkham Asylum" was in the story "This One'll Kill You, Batman!" also by Dennis O'Neil in BATMAN #260 (February 1975). The name was inspired by the fictitious New England city of Arkham created by H.P. Lovecraft. In the post-Crisis comics Dick Grayson was 13 years old. In Batman: The Animated Series, Dick was approximately 10 years old when he was orphaned, and maybe 11 when he first became Robin.


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A brilliant young CIA trainee is asked by his mentor to help find a mole in the Agency.

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James Clayton is one of the top prospects in the new crop of CIA recruits. His intelligence and unconventional attitude attract the attention of veteran Walter Burke who squires him through the Agency's difficult training courses and helps him to quickly rise through the ranks. Clayton is then given a special assignment, to root out a suspected mole that has infiltrated the Agency. A brilliant young CIA trainee is asked by his mentor to help find a mole in the Agency. I definitely walked away satisfied with this movie. When I got home, however, my friend reminded me that I had predicted the ending during a preview we viewed a month in advance.

Nonetheless, the film is, for the most part, well put together with some very cool CIA training sequences and good performances by Pacino and Farrell. The way the film plays out is similar to Training Day and Narc, but this film pulls it off still.

AS it gets harder and harder to come up with fresh, new ideas for films these days, I feel this one did a good job at recycling an idea in a refreshing way and constantly keeping the viewer interested. I would give this film 7 out of 10 stars. I wanted to see this movie because secretive organizations like the CIA are fascinating, and the trailer promised a twisty plot with all the fun of trying to figure out where the characters allegiances really lie. I waited until it came to the $1 theater, and it was worth the money for sure (although I wouldn't pay to watch it again). The movie seemed a bit formulaic, but I didn't try to think about it, I just went with it. Coming out of the theater I wondered how much consistency there was in the movie. If I saw it again, already knowing the ending, would it seem at all plausible? I kind of doubt it. I did enjoy the nod toward Kurt Vonnegut (there were at least three references including the display of "Slaughter house five," the mention of the book "Cat's Cradle," and a line that included the phrase "Breakfast of Champions".) I assume one of the writers must be a fan.

I think if you watch it with low expectations and don't have to pay much for it you'll enjoy the movie. No matter how seriously everyone works to make the CIA impossibly sexy, the illusion that these pencil pushers are incarnations of Bond, James Bond, is difficult to sustain.


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The continuing adventures of the staff of the ghost removal service.

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In this animated update of the hit motion picture, the Ghostbusters are up to their same old tricks, keeping the city safe from demons, curses, spooks and every other off-the-wall weirdness known (and unknown) to mortal man. This time they have help from their old nemesis Slimer ("Onionhead"), a new arsenal of weapons, and an occasional assist from their faithful secretary Janine Melnitz. In 1988, the start of the fourth season, the series was part of a one-hour block of Ghostbusters cartoons (it was joined with the newly created "Slimer!" series) known as "Slimer! And The Real Ghostbusters." The continuing adventures of the staff of the ghost removal service. it always bothered me (even at 10) that they had different coloured uniforms and that Peter Venkman's voice was both Garfield's and the guy from the old Country Crock commercials...(maybe I watched too much tv...you remember, the commercials that only showed the man and womans hands?) it kept the name ghostbusters going for a while, and was a good adaptation as a cartoon How do I even begin to describe how much a love affair I have with this series? The darker tone of the first couple seasons was great. It wasn't nearly as dark as Batman the Animated series,another favorite of mine was,in comparison.

One of the things that I heard of which may've affected the series in the last couple of seasons was parents complaining about violent content,which is funny when you compare it to series like He-man and TMNT which were both running around the same time. I say this is funny when you consider that both of the other series I've mentioned used more common weapons as well as attacking things that were sometimes human like living creatures.

Anyways back to Ghostbusters,before a lot of shows started having a chronological plot, I feel like Ghostbusters had some major first steps in that some of the episodes actually did connect,Samhain and Boogeyman are the ones I'm thinking of at the moment,might be others as well.

I also enjoyed waking up each Saturday morning to have the show to look forward to, the plots were good,the ghosts creative and just having a continuation of the first movie was great for a start of interest in the paranormal and supernatural and to find out what is actually out there. In the early promo artwork for the series, the Peter Venkman character was drawn to look more like Bill Murray and Egon Spengler was drawn to look more like Harold Ramis. But the animators changed the look of Peter, and changed Egon's hair color from brown to blonde, in order to avoid lawsuits for using the actors' likenesses without permission. As for Ray Stanz and Winston Zeddemore, their characters were never drawn to resemble Dan Aykroyd or Ernie Hudson, respectively. According to Maurice LaMarche, who voiced Egon Spengler, Bill Murray, who played Peter Venkman in the live action films, had complained, or at the very least, curiously asked, the show's producers why Peter "sounded like Garfield" instead of like him. This was because Peter was originally voiced by the late Lorenzo Music, who was also the voice of Garfield, a role that Murray himself would later play, coincidentally using the same voice he used while playing Peter. Whether or not Murray pushed to have the voice changed is unclear, but Music was replaced by Dave Coulier of "Full House" fame, and to be fair a gifted voice impersonator in his own right (as his impersonations of Popeye the Sailor and Bullwinkle the Moose testify), Coulier was instructed to give Peter a voice similar to that of Bill Murray. Janine was originally voiced by Laura Summer, but starting in the third season Summer was replaced by Kath Soucie, which is when her character's look changed for the first time. According to the third season series bible, Summer's voice was deemed "too whiney" and so the role was recast. And according to J. Michael Stracyznski, the show's original story editor, the network decided to take the advice of consultants to change Janine from a feisty, sardonic, N.Y. secretary to a "mother figure" for the Ghostbusters, which also entailed changing the style of her glasses from triangular to round, as the consultants seriously believed that the pointy glasses would scare children. This was also part of a push to make the series more "kid friendly". Strazcyznski and the other original writers disliked these demands for change and many of them left the show as a result. The initial redesign of Janine had long hair, which was later replaced with a design that was meant to evoke Annie Pott's haircut in the second Ghostbusters film, and ultimately two more designs that gave Janine shorter, curlier hair. Ultimately, the changes proved unpopular and the network asked Strazcysnki to come back, which he couldn't do as he had other commitments, but he agreed to write a few episodes for them on the grounds that he be allowed to write it as he saw fit and not as censors and consultants wanted. Strazcysnki decided to explain why Janine's voice, appearance and personality changed so much in an episode titled "Janine, You've Changed", in which it was revealed that Janine had fallen victim to a demon posing as a kind of "fairy godmother" called a Makeoverus Lotsabucks (the name a deliberate yet playful swipe at the network), which fed off a person's vanity and changed the victim's appearance as the victim instructed, promising that it would improve them, when in reality it would ultimately turn them into another Makeoverus Lotsabucks. Janine's personal reason for being victimized by the Lotsabucks was that she wanted to "improve" her appearance until she found a look that would attract Egon Spengler, to whom she had long harbored a romantic infatuation but with whom she'd had trouble actually engaging in a relationship due to his somewhat stilted emotional range. What Janine didn't know was that the Lotsabucks had been using her magic to externally blind Egon and the other Ghostbusters to the changes in her appearance, making Janine more dependent on the Lotsabucks. Ultimately Egon was able to save Janine by admitting that he loved her as well.


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La sesta generazione di Digimon segue un ragazzo e i suoi amici, che hanno la capacità di fondere Digimon insieme per combattere il male che affligge il nostro mondo e il mondo dei Digimon.


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